THIS IS WHAT I\M DOING RIGHT NOW
This feels too big. I think because really I
can’t decide what it is exactly that I am trying to say// what it is I’m
trying to do here.
What ARe we dealing with here? Thinking alot about latour. The SOCIAL. SOCIAL SOCIAL STORIES
What about words… ?
UNDERSTANDNG OF WHERE THE MIND IS. existing vs occurring.
this is why I’m
‘storied knowledge, then is
neither classificatory nor networked. It is
meshworked’,, so how to describe or explore it linearly without
it coming out like utter fluff? aRGH THIS
THIS THIS. The ethnographic FRAGMENT, ‘that which can
be lifted and
taken away’. SEE PAGE 19!!!
He includes a map. Map! Illustration!
THIS IS GOOD: WHAT DISCURSIVE STRATEGIES?
something to be said about the perceived
continuity that exists across time? sHE’S
SAID IT ALREADY!!!!!!!!!!!!! WHATARE YOU DOING TO ME
Find a nice storytelling quote please, and
do what he does here. Or some sort of performance
quote. Talk here about martin carver, GIllian overing
and tim… importantimportant this is
THE SITE, THE STORY,,,
NOTE HERE WHAT THE description says,. LOLOLOLol
there is no more work for me to do. She’s
now looking at everything
since 1939… p. 55-6.
don’t even think about _writing this yet ok.
 tim ingold, being Alive: Essays on Movement, Knowledge and description (London: Routledge, 2001)
 Barbara Kirshenblatt-Gimblett, Destination Culture: Tourism, Museums, and Heritage (fiND PLACE?: University of California Press, 1998)
Fran researches Anglo-Saxon texts and objects, and contemporary cultural and creative practices. She has conversations with her notes, but is usually careful to make sure these are confined to DRaft_sutton_Hoo_1.doc or some other appropriately named and carefully filed away document. This is a collection of notes-to-self from a very early essay draft, in the order they appear, edited only for layout.