The Still Point Journal is a bit like a ‘Tardis’ – barreling through the depths of space and time, it transports the mind to universes limited only by those imaginations that govern them. This journal is dedicated to academic culture, music, film, arts, and research. We encourage researchers to infuse modes of perception and expression in their responses and to transform and challenge dominant structures of literary writing. From the footnotes to the bibliography, we celebrate everything manifested through the research process. The journal aspires to reflect and represent the voices of creative thinkers and researchers.
Following our successful launch of the second issue, we are now accepting submissions for Issue 3: Borders. The Still Point is looking for innovative responses in a variety of forms including, narratives, essays, short fiction, and poetry. Continue reading
Digital Selves in Research // Online Symposium // July 2016
Open for submissions now – 31st May 2016
Do you feel like a machine?
Do you feel like you can’t ‘see’ anymore, but instead ‘scan’?
Has too much scrolling on jstor sent your eyes permanently rolling?
Do you feel like your hands have fused with your keyboard?
When was the last time you went to the library without your laptop?
Can you touch your notes? 
Our research combines papers and screens, inks and apps, books and blogs. Our explorations go behind doors and hyperlinks. Our heads are in the clouds and the Cloud. We inhabit spaces digitally and IRL, but sometimes the line between these spaces seems blurred. This has got us thinking: what effect does environment, these processes, have on us as researchers? Are we living in a researcher’s utopia or dystopia?
We invite creative responses to the experience of researching across analogue and digital, between real and virtual worlds. In parallel to our forthcoming print Issue #2: The Researcher’s Notebook, we want to explore how digital spaces and tools shape our thoughts in surprising ways. Continue reading
Aesthesis invites LAHP-funded doctoral candidates to submit artworks that creatively reinterpret their PhD thesis in a non-textual form.
Submissions can take any form that can be displayed in a gallery space – be it painting, sculpture, digital image, photograph, film, recorded theatre or dance performance, sound recording, installation, &c. Entries should be accompanied by a short description (200-300 words) on the author’s research, and how the artwork reinterprets or relates to it. The artwork could be related to the content or methodology of the PhD, or related ideas and practices more broadly construed.
Submitted projects will be showcased in an exhibition at the end of the summer term 2015. A panel of judges will award prizes (for example Tate membership and National Art Pass) to the winning entry and runners up.
The project aims to explore the ways that the complexity of doctoral theses can be captured in forms that are not straightforwardly textual. We hope to encourage LAHP students to think about their projects in radically different ways, consider their ideas in a fresh light, and explore how to capture the minds of a non-specialist public, as well as create beautiful artworks.
If you’re interested in taking part or have any questions, please get in touch:
Deadline for submissions is 15 May 2015.