One of the more enjoyable aspects of my PhD research, which focuses on Irish poetry, is the time I spend catching up on contemporary literature and culture which takes Ireland as its subject matter. A particularly striking recent example has been Jez Butterworth’s critically acclaimed new play The Ferryman, which premiered at the Royal Court Theatre before transferring to the West End. The play, which revolves around a Catholic farming family in rural Armagh, takes the Northern Irish Troubles as its theme. Loosely based on the experience of one of its original lead actresses, Laura Donnelly, whose uncle was Continue reading
Pride has many stories to tell: some celebratory, some tragic, some past, some present, and some that remain incomplete as their narrative continues to unfold. As is typical to any professional task that is part of my Monday work schedule, I began my morning routine reliving the weekend through photos on my mobile. As I aimlessly swiped my thumb across the screen, I justified my idleness as, in fact, being ‘research’ for writing my own submission on the topic of London Pride, something that incidentally turned out to be true.
As a Canadian from a small city, Pride in London seemed overwhelming in comparison. In the weeks leading up to the parade, however, I encountered disillusionment from my queer colleagues towards the event. Where I am from, the parade is confined to fifty floats and another fifty LGBTQ groups; it is the coming together of a queer and queer-allied community that, in truth, already knows one another. For that reason, Pride has always felt like home to me. Sharing these sentiments with friends, and hearing their own in return, reminded me that not all aspects of Pride come from the most altruistic of motivations – for example, Tom Daley in a tight-fitting tee and angel wings on top of the Barclays float – and that perhaps even my own perspectives at home were a bit naive. Fear not: the remainder of this article is not to exemplify why London Pride has become irrelevant; instead, I made it my mission to uncover those moments that continued to demonstrate Pride as spirit over spectacle. Continue reading
In a special edition of Footnotes on KCL Radio broadcast live on the 27 July 9-10am, hosts Fran and Char invited PhD researchers to take on the theme of The Still Point‘s first blog symposium: Digital Selves in Research.
From online facsimiles of manuscripts to social media profiles, PhD students from across King’s College London explore how they work with, analyse and are shaped by the digital. Thank you to Colleen Curran, palaeographer and historian; Anna Khlusova from Cultural and Creative Industries; and Rachael Kent, whose PhD spans the Digital Humanities and CCI as a member of the Ego-Media project.
The Still Point Journal‘s blog editor, James Fisher, also joined the panel to discuss all things ‘real’ vs ‘virtual’.
Colleen Curran https://twitter.com/cmcurran21
Anna Khlusova https://twitter.com/annakhlus
Rachael Kent https://twitter.com/RachaelCKent
European Research Council Ego-Media project https://www.ego-media.org
Eds’ note: we chose our inaugural Online Symposium theme ‘Digital Selves’ because we as PhD researchers wanted to think more critically about how we engage with our subjects of study.
We wondered how we were different as researchers because of how we access and create our work: how does working between books and pixels, pens and touchscreens, affect our methods and conclusions? How does being able to look more closely than real life at manuscripts with a pinch and zoom, relying on journal search algorithms over catalogue cards, or using ctrl+F to skim for keywords make our work different to the pre-digital academic?