On April 21 2016, The Still Point Journal, that is, we, published a new blog post:
We invite creative responses to the experiences of working across analogue and digital, and between real and virtual worlds…
Two little words in our call for submissions for Digital Selves in Research – “across” and “between” – held more meaning than we realised at the time. So much of what our contributors have expressed, and so much of our own experience in organising this symposium, hides within those words. We seem to be recognising, in so many nuanced ways, that exploring the digital and the real isn’t about choosing one position or the other. We’re the hybrid generation, the researchers learning how to use the internet for scholarship. Is this what a period of transition feels like?
Our invitation provoked myriad responses, but they all avoided this digital/IRL binary we could not help but set up. Our own vocabulary during this symposium has felt increasingly useless, out of time and place. We are still grappling with how to talk about the experience of being human, being researchers and practitioners in 2016 – but we hope this symposium has pushed our language further. Continue reading
Poetry of Place took place on 17th May at Enitharmon Press in Bloomsbury. The event brought three poets into conversation about how place and poetry intersects in their work. Fran and I had met for the first time in March, after answering a call put out by the London Arts and Humanities Partnership for two PhD students to run a poetry event. We had a couple of months to get to know each other, plan, meet the poets, and figure out how to bring our own research interests into dialogue, and with the poetry. A real challenge, not least because we’re from very different disciplines – or so we thought!
Right! I’m studying for a PhD based in the English department at KCL, situated between Old English and Performance studies. My research looks at Sutton Hoo, a seventh century medieval burial ground, and Old English poetry. I’m interested in how poetry and place come together at this site to (re)create history. I’m very much picking up on medievalists Gillian Overing and Marijane Osborn’s ‘conviction – or fiction – of the past as being located through or as place’ (Overing and Osborn, 1989).
Whilst I’m at UCL working across the fields of Architectural History & Theory, and Music, looking at the work of the architect and composer Iannis Xenakis. Continue reading