Special Feature – Revolution #1: Bonfire Night and the Gunpowder Plot (Two Perspectives)

Hannah

At the very core of civilisations throughout history, there is a grim paradox that might generally be observed: namely, that within civilisation resides the morbid yearning for its antithesis. Nowhere is this more apparent than through cultural preoccupations with violent spectacle and in particular the phenomenon of public executions. Historically, such public forms of capital punishment not only provided the state with an opportunity to potently assert its authority over dissenting persons but also, by virtue of the general public being able to voluntarily attend these executions, it delivered a strikingly grotesque form of entertainment. On 31st January 1606, one such spectacle was partly frustrated. Having witnessed the seven remaining fellow conspirators of the Gunpowder Plot being hanged, drawn and quartered before his own ascent to the scaffold, Guy Fawkes was able to avoid the same fate through a final act of defiance, by jumping from the scaffold and breaking his neck. Undeterred by this slight setback to the proceedings, the executioner quartered his body and his remains were disseminated throughout the kingdom to serve as a powerful deterrent for other potential traitors. Continue reading

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Still Point Blog Theme: Revolution – Call for Submissions

For the month of November, our next theme at the Still Point blog will be focused on ‘Revolution’. We are seeking blog posts from doctoral and early career researchers – although submissions from Masters students are also welcomed – that directly engage with and examine the subject of ‘Revolution’ in a variety of ways. Topics may include, but are by no means limited to: historical and political revolutions (whether successful or otherwise), revolution as a positive/negative event, revolutionary figures in the arts and humanities, innovation and revolution in the literary arts, visual arts, and literary criticism etc.

Submissions are accepted on a rolling basis until the next theme is announced. Entries often take the form of non-fiction prose, but we also accept fiction, poetry, photography, and other visual art.

Ideally submissions will be:

– Between 500-750 words that can include high quality images; however, longer feature submissions may also be accepted.

– For visual and multimedia artists, send us high quality images of your artwork of embed links to sound, video work, or gifs, accompanied by up to 300 words.

At the Still Point blog we encourage creative and innovative responses both to our themes and the presentation of blog posts. As such this is a unique opportunity to promote your research on an academic platform and creatively respond to your research experiences.

Please send submissions to blog@thestillpointjournal.com